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1.
From breakfast on through all the day At home among my friends I stay, But every night I go abroad Afar into the land of Nod. All by myself I have to go, With none to tell me what to do — All alone beside the streams And up the mountain-sides of dreams. The strangest things are there for me, Both things to eat and things to see, And many frightening sights abroad Till morning in the land of Nod. Try as I like to find the way, I never can get back by day, Nor can remember plain and clear The curious music that I hear. (Robert Louis Stevenson)
2.
O, hush thee, my babie, thy sire was a knight,
 Thy mother a lady, both lovely and bright; The woods and the glens, from the towers which we see, They are all belonging, dear babie, to thee. O ho ro, i ri ri, cadul gu lo. [verse two omitted] O, hush thee, my babie, the time soon will come, When thy sleep shall be broken by trumpet and drum; Then hush thee, my darling, take rest while you may, For strife comes with manhood, and waking with day. O ho ro, i ri ri, cadul gu lo. (Sir Walter Scott)
3.
Only in sleep I see their faces, Children I played with when I was a child, Louise comes back with her brown hair braided, Annie with ringlets warm and wild. Only in sleep Time is forgotten -- What may have come to them, who can know? Yet we played last night as long ago, And the doll-house stood at the turn of the stair. The years had not sharpened their smooth round faces, I met their eyes and found them mild -- Do they, too, dream of me, I wonder, And for them am I too a child? (Sara Teasdale)
4.
One in a rush! La, La! Two in a bush! La, La! Away, old woman, Away, old woman, And off you go to bed. (Traditional)
5.
V. Sleep 02:58
Come, Sleep, and with thy sweet deceiving Lock me in delight awhile; Let some pleasing dreams beguile All my fancies; that from thence I may feel an influence All my powers of care bereaving! Though but a shadow, but a sliding, Let me know some little joy! We that suffer long annoy Are contented with a thought Through an idle fancy wrought: O let my joys have some abiding! (John Fletcher)
6.
The Soul, of late a lovely sleeping child, Spreads sudden wings and stands in radiant guise, Eyed like the morn and bent upon the skies; Her the blue gulf dismays not, nor the wild Horizons with the wrecks of thunder piled; Storm has she known, and how its murmur dies Starlike through stainless heavens she would rise And be no more with cloudy dreams beguiled. Was sleep not sweet?--sweet till on sleeping ears Earth's voices broke in discord. Now she hears Far, far away diviner music move; Nor shall her wing be sated of its flight, Nor shall her eyes be weary of the night, While round her sweep the singing stars of Love. (Enid Derham)

about

The song cycle “Songs of Sleep” was commissioned by Alexandra Mathew, and premiered in a Recitals Australia concert in Pilgrim Church, Adelaide, with Hugh Fullarton at the piano. The work features poems by Robert Louis Stevenson (“The Land of Nod”), Sir Walter Scott (“Lullaby of an Infant Chief”), Sara Teasdale (“Only in Sleep”), John Fletcher (“Sleep”) and Enid Derham (“The Awakening”), as well as a traditional text (“One in a Rush”).

Copies of the score are available through the Australian Music Centre (www.australianmusiccentre.com.au).

credits

released March 14, 2021

Recorded 16th December, 2020; Rolling Stock Recording Rooms, Collingwood, Victoria
Engineer: Myles Mumford
Cover: Storm off Dover Heights, NSW, 4th February 2018

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about

Andrew Anderson Melbourne, Australia

Andrew Anderson was born in Melbourne, Australia, where he studied composition with Rodney Ford.
His works have been performed by ensembles such as The Australia Piano Quartet, The Consort of Melbourne, Omega Ensemble, Syzygy Ensemble, and the Streeton Trio.
His scores are published by the Australian Music Centre, where he is an Associate Artist.
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